IMG_3757.jpg
IMG_3759.jpg
IMG_3764.jpg
IMG_3765.jpg
IMG_3768.jpg
IMG_3775.jpg
IMG_3452.jpg
IMG_3447.jpg
While Walking, 2022, oil on found paintings
While Walking, 2022, oil on found paintings
Kia Tau, 2018, oil on found painting with The Weight of Words in the foreground
Kia Tau, 2018, oil on found painting with The Weight of Words in the foreground
I Remember Rivers, 2022, acrylic on found books
I Remember Rivers, 2022, acrylic on found books
Collecting and Ordering, 2022, acrylic on wood
Collecting and Ordering, 2022, acrylic on wood
While Walking, detail, 2022
While Walking, detail, 2022
I Hope This Finds You, 2020, Photo by Sam Hartnett
I Hope This Finds You, 2020, Photo by Sam Hartnett
I Hope This Finds You, 2020, installation view. Photo by Sam Hartnett
I Hope This Finds You, 2020, installation view. Photo by Sam Hartnett
I Hope This Finds You, 2020, detail, Photo by Sam Hartnett
I Hope This Finds You, 2020, detail, Photo by Sam Hartnett
Installation View 2020
Installation View 2020
A Monument to the Manukau, Things Returned, 2020, Found wood, 750 x 890 x 100mm
A Monument to the Manukau, Things Returned, 2020, Found wood, 750 x 890 x 100mm
IMG_0526.jpg
Untitled (Portraits) 2020, oil on linen, 400 x 300mm each
Untitled (Portraits) 2020, oil on linen, 400 x 300mm each
Installation View 2020
Installation View 2020
Close up,
Close up,
A Monument To A Little Sadness, 2020, acrylic on wood found washed ashore, 285 X 370 x 70mm
A Monument To A Little Sadness, 2020, acrylic on wood found washed ashore, 285 X 370 x 70mm
Gold Lock, 2018
Gold Lock, 2018

Lock with gold leaf

Available Contact Elliot

Untitled-1.jpg
Uplifting, 2019, Pāua shell, copper basin, frankincense, water
Uplifting, 2019, Pāua shell, copper basin, frankincense, water

Installation shot

Uplifting, 2019, Pāua shell, copper basin, frankincense, water
Uplifting, 2019, Pāua shell, copper basin, frankincense, water
White Lines, 2019
White Lines, 2019

Te Whiti said

Acrylic on copper loops

White Lines, 2019
White Lines, 2019

Te Whiti said

White Lines, 2019
White Lines, 2019

Tohu Said, Acrylic on nylon

untitled-7.jpg
Untitled-1.jpg
From Assi to Brahma, 2018

Video, duration 58 minutes, Edition of 3

Available Contact Elliot

Brass Temple Bell
Brass Temple Bell
Sari Curtain
Sari Curtain
Through the camera/time travel (Anchor Stones), 2018
Through the camera/time travel (Anchor Stones), 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Available Contact Elliot

After J Krishnamurti, (the revolution is bright, fluid and mercurial), 2018
After J Krishnamurti, (the revolution is bright, fluid and mercurial), 2018

Internal kaleidoscope image with Varanasi beads

After J Krishnamurti, (the revolution is bright, fluid and mercurial),  2018
After J Krishnamurti, (the revolution is bright, fluid and mercurial), 2018

Internal kaleidoscope image with Varanasi beads

A Memory of the River, 2018
A Memory of the River, 2018

oil on linen, 1000 x 4660mm

Available Contact Elliot

Painted Ghats, 2018
Painted Ghats, 2018

watercolour with water carried from the River Ganges on acid free, hot pressed Hanemühle paper, dimensions variable

Painted Ghats, 2018
Painted Ghats, 2018

watercolour with water carried from the River Ganges on acid free, hot pressed Hanemühle paper, dimensions variable

Water trough, 2018
Water trough, 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Available Contact Elliot

River view of burning ghats, 2018
River view of burning ghats, 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Shelter, 2018
Shelter, 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Available Contact Elliot

Washing Day, 2018
Washing Day, 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Available Contact Elliot

Steps not Ghats, 2018, Inkjet photograph on Ilford Galerie Prestige
Steps not Ghats, 2018, Inkjet photograph on Ilford Galerie Prestige

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Available Contact Elliot

Manikanika Kund with Hanuman, 2018
Manikanika Kund with Hanuman, 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Available Contact Elliot

Cottage Industry, 2018
Cottage Industry, 2018

Wooden stool, gold leaf and bindi

Home, by Ganga Mahal, 2018
Home, by Ganga Mahal, 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Hanuman, 2018
Hanuman, 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Available Contact Elliot

Flying boat, 2018
Flying boat, 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Available Contact Elliot

Shrine, 2018
Shrine, 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Available Contact Elliot

Outlook, 2018
Outlook, 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Cottage industry, 2018
Cottage industry, 2018

Wooden stool, gold leaf and bindi

Te reo Pākeha - with Martin Awa Clarke Langdon
Te reo Pākeha - with Martin Awa Clarke Langdon

Opens Thursday 28 June 2018

At Toi Poneke

Free Te reo Māori Lesson
1pm–2pm Saturday 14 July
Toi Pōneke HUB

 
In this fun, relaxed, workshop taught by Joan Costello, you will be given the opportunity to learn six accessible, fun and memorable pronunciation tips that will give you confidence to use Te reo Māori.

Te reo Pākehā, 2018,
Te reo Pākehā, 2018,

Installation view

The Year That Has Past, (248 A.C.), 2018
The Year That Has Past, (248 A.C.), 2018

acrylic on Khadi linen, 500 x 700mm

The Year Ahead (249 A.C. For Martin), 2018
The Year Ahead (249 A.C. For Martin), 2018

Acrylic on canvas, 500 x 700mm

Te reo Pākehā, Installation View
Te reo Pākehā, Installation View

Martin Awa Clarke Langdon and Elliot Collins

Reading meaning and everything in-between, 2015 - 2018, Martin Awa Clarke Langdon
Reading meaning and everything in-between, 2015 - 2018, Martin Awa Clarke Langdon

gifted cedar, acrylic paint

Installation view of Te reo Pākehā
Installation view of Te reo Pākehā

The quick brown fox jumped over the lazy dog, 2018, MACL and EC

Tohutō (macrons), 2018, Martin Awa Clarke Langdon

Untitled, (Māori rebel flags)

Tohutō (macrons) , 2018, Martin Awa Clarke Langdon
Tohutō (macrons) , 2018, Martin Awa Clarke Langdon

various belts

Harakeke.jpg
The quick brown fox jumped over the lazy dog, 2018, Martin Awa Clarke Langdon and Elliot Collins
The quick brown fox jumped over the lazy dog, 2018, Martin Awa Clarke Langdon and Elliot Collins

Acrylic, metal cards, nails

Rawhaki/Massed, heaped up, 2018
Rawhaki/Massed, heaped up, 2018

Harakeke seeds, endless supply.

Rawhaki/Massed, heaped up, 2018
Rawhaki/Massed, heaped up, 2018

Harakeke seeds Endless supply.

Rawhaki/Massed, heaped up, 2018
Rawhaki/Massed, heaped up, 2018

Harakeke seeds, endless supply.

Untitled, (Maori rebel flags...), 2018
Untitled, (Maori rebel flags...), 2018

Installation view - now patinated

Untitled, (Maori rebel flags / P Reveirs / watercolours on paper / 152 x 95mm / 1992-0035-1631/12 / Gift of W.F. Gordon, 1916 / Copyright restrictions apply / Te Papa Tongarewa), 2018
Untitled, (Maori rebel flags / P Reveirs / watercolours on paper / 152 x 95mm / 1992-0035-1631/12 / Gift of W.F. Gordon, 1916 / Copyright restrictions apply / Te Papa Tongarewa), 2018

Etched copper

Untitled, (Maori rebel flags / William Francis Gordon / watercolours on paper / 166 x 230mm / 1992-0035-1631/4 / Gift of W.F. Gordon, 1916 / Copyright restrictions apply / Te Papa Tongarewa), 2018
Untitled, (Maori rebel flags / William Francis Gordon / watercolours on paper / 166 x 230mm / 1992-0035-1631/4 / Gift of W.F. Gordon, 1916 / Copyright restrictions apply / Te Papa Tongarewa), 2018

Etched copper - now patinated

Untitled, (Maori rebel flags / P Reveirs / watercolours on paper / 159 x 118mm / 1992-0035-1631/13 / Gift of W.F. Gordon, 1916 / Copyright restrictions apply / Te Papa Tongarewa), 2018
Untitled, (Maori rebel flags / P Reveirs / watercolours on paper / 159 x 118mm / 1992-0035-1631/13 / Gift of W.F. Gordon, 1916 / Copyright restrictions apply / Te Papa Tongarewa), 2018

Etched copper - now patinated

Untitled (te wānanga o Pākehā), 2018, Martin Awa Clarke Langdon
Untitled (te wānanga o Pākehā), 2018, Martin Awa Clarke Langdon

School desks, ball point pens, restored windows, paint, paper, gifted cedar.

Desk detail, Martin Awa Clarke Langdon
Desk detail, Martin Awa Clarke Langdon

Toi Poneke

Detail, Untitled (te wānanga o Pākehā), 2018, Martin Awa Clarke Langdon
Detail, Untitled (te wānanga o Pākehā), 2018, Martin Awa Clarke Langdon

School desks, ball point pens, restored windows , paint, paper , gifted cedar

dust detail, Untitled (te wānanga o Pākehā ), 2018, Martin Awa Clarke Langdon
dust detail, Untitled (te wānanga o Pākehā ), 2018, Martin Awa Clarke Langdon
Surveyor Title.jpg
Northland Not Flooded (after Barthes), 2016, acrylic on linen
Northland Not Flooded (after Barthes), 2016, acrylic on linen
Installation View
Installation View
Installation View
Installation View
Over and over, 2017, graphite on linen
Over and over, 2017, graphite on linen
A Memory (of how we live today), 2011-17, oil and vinyl on linen
A Memory (of how we live today), 2011-17, oil and vinyl on linen
My Arms Outstretched, 1, 2017, brass on sight finding tripod
My Arms Outstretched, 1, 2017, brass on sight finding tripod
A Drop of Water (hollows a stone, not by force, but by falling often), 2016
A Drop of Water (hollows a stone, not by force, but by falling often), 2016
Outside the mind of the world (intact and pure amid the flow of wind which bring only the sound and distilled moisture of the sea), (for Holcroft), 2017
Outside the mind of the world (intact and pure amid the flow of wind which bring only the sound and distilled moisture of the sea), (for Holcroft), 2017
Outside the mind of the world, materials: manuka essential oil, oyster shell from French Bay, Titirangi and brass in book (Shock of the New by Robert Hughes)
Outside the mind of the world, materials: manuka essential oil, oyster shell from French Bay, Titirangi and brass in book (Shock of the New by Robert Hughes)
The Memory of a Voyage, 2017, lacquer on plaster
The Memory of a Voyage, 2017, lacquer on plaster
The Is Land, (detail), 2017, non-drying clay
The Is Land, (detail), 2017, non-drying clay
Damnatio Memoriae, 2017, bronze embedded in concrete
Damnatio Memoriae, 2017, bronze embedded in concrete
Bodies of Water 2014-17, 2017, duration 10.12
Bodies of Water 2014-17, 2017, duration 10.12
Installation View
Installation View
Installation View
Installation View
Stain.jpg
Installation View
Installation View
Installation View
Installation View
Sacred to the Memory of Unspoken Things, 2017, lacquer on plaster
Sacred to the Memory of Unspoken Things, 2017, lacquer on plaster
Installation View
Installation View
Title.jpg
Truck 1.jpg
Truck 2.jpg
Truck 3.jpg
Truck 4.jpg
Truck 5.jpg
Truck 6.jpg
Truck 7.jpg
Truck 8.jpg
Truck 9.jpg
Truck 10.jpg
Truck 11.jpg
Truck 12.jpg
Truck 13.jpg
Truck 14.jpg
Truck 15.jpg
Truck 16.jpg
Truck 17.jpg
Installation View. Image: Kallan Macleod
Installation View. Image: Kallan Macleod
How To Burn The House Down, 2017, oil on linen. Image: Kallan Macleod
How To Burn The House Down, 2017, oil on linen. Image: Kallan Macleod
Interior View. Image: Kallan Macleod
Interior View. Image: Kallan Macleod
Poem in Installation View. Image: Kallan Macleod
Poem in Installation View. Image: Kallan Macleod
Installation view, horizon lines, Image: Kallan Macleod
Installation view, horizon lines, Image: Kallan Macleod
we gathered close in silence, 2017. Image: Kallan Macleod
we gathered close in silence, 2017. Image: Kallan Macleod
Installation View. Image: Kallan Macleod
Installation View. Image: Kallan Macleod
How To Make History, 2017, oil on linen. Image: Kallan Macleod
How To Make History, 2017, oil on linen. Image: Kallan Macleod
Installation View. Image: Kallan Macleod
Installation View. Image: Kallan Macleod
Horizon Paintings, 2017, Installation View, Acrylic on dropcloth. Image: Kallan Macleod
Horizon Paintings, 2017, Installation View, Acrylic on dropcloth. Image: Kallan Macleod
Interior View, S/Z, 2017. Image: Kallan Macleod
Interior View, S/Z, 2017. Image: Kallan Macleod
How Far You Are Away From Me, 2017, oil on linen. Image: Kallan Macleod
How Far You Are Away From Me, 2017, oil on linen. Image: Kallan Macleod
How The Light Gets In, 2017, oil on linen. Image: Kallan Macleod
How The Light Gets In, 2017, oil on linen. Image: Kallan Macleod
How To Find The Words, 2017, oil on linen. Image: Kallan Macleod
How To Find The Words, 2017, oil on linen. Image: Kallan Macleod
The Water That Moves, 2014-17, video on IPhone
The Water That Moves, 2014-17, video on IPhone
How Important It Is To Be Kind, 2017. oil on linen. Image: Kallan Macleod
How Important It Is To Be Kind, 2017. oil on linen. Image: Kallan Macleod
How Fleeting Is Our Time In The Sun, 2017, oil on linen. Image: Kallan Macleod
How Fleeting Is Our Time In The Sun, 2017, oil on linen. Image: Kallan Macleod
How Often You Wished Your Parents Were Here To See This, 2017, oil on linen. Image: Kallan Macleod
How Often You Wished Your Parents Were Here To See This, 2017, oil on linen. Image: Kallan Macleod
The Water That Moves, 2014-17, video on IPhone
The Water That Moves, 2014-17, video on IPhone
Harakeke 4.jpg
Gathered close in silence, 2017
Gathered close in silence, 2017

digital photographic prints, stained glass (24 pieces)
970mm H x 1990mm W

Work Destroyed

I miss even those who are still here, 2023, found corrugated iron from Waitara beach, acrylic, enamel and pāua shell with water and pump components.
I miss even those who are still here, 2023, found corrugated iron from Waitara beach, acrylic, enamel and pāua shell with water and pump components.
Detail: I miss even those who are still here, 2023, found corrugated iron from Waitara beach, acrylic, enamel and pāua shell with water and pump components.
Detail: I miss even those who are still here, 2023, found corrugated iron from Waitara beach, acrylic, enamel and pāua shell with water and pump components.
IMG_3757.jpg
IMG_3759.jpg
IMG_3764.jpg
IMG_3765.jpg
IMG_3768.jpg
IMG_3775.jpg
IMG_3452.jpg
IMG_3447.jpg
While Walking, 2022, oil on found paintings
Kia Tau, 2018, oil on found painting with The Weight of Words in the foreground
I Remember Rivers, 2022, acrylic on found books
Collecting and Ordering, 2022, acrylic on wood
While Walking, detail, 2022
I Hope This Finds You, 2020, Photo by Sam Hartnett
I Hope This Finds You, 2020, installation view. Photo by Sam Hartnett
I Hope This Finds You, 2020, detail, Photo by Sam Hartnett
Installation View 2020
A Monument to the Manukau, Things Returned, 2020, Found wood, 750 x 890 x 100mm
IMG_0526.jpg
Untitled (Portraits) 2020, oil on linen, 400 x 300mm each
Installation View 2020
Close up,
A Monument To A Little Sadness, 2020, acrylic on wood found washed ashore, 285 X 370 x 70mm
Gold Lock, 2018
Untitled-1.jpg
Uplifting, 2019, Pāua shell, copper basin, frankincense, water
Uplifting, 2019, Pāua shell, copper basin, frankincense, water
White Lines, 2019
White Lines, 2019
White Lines, 2019
untitled-7.jpg
Untitled-1.jpg
From Assi to Brahma, 2018
Brass Temple Bell
Sari Curtain
Through the camera/time travel (Anchor Stones), 2018
After J Krishnamurti, (the revolution is bright, fluid and mercurial), 2018
After J Krishnamurti, (the revolution is bright, fluid and mercurial),  2018
A Memory of the River, 2018
Painted Ghats, 2018
Painted Ghats, 2018
Water trough, 2018
River view of burning ghats, 2018
Shelter, 2018
Washing Day, 2018
Steps not Ghats, 2018, Inkjet photograph on Ilford Galerie Prestige
Manikanika Kund with Hanuman, 2018
Cottage Industry, 2018
Home, by Ganga Mahal, 2018
Hanuman, 2018
Flying boat, 2018
Shrine, 2018
Outlook, 2018
Cottage industry, 2018
Te reo Pākeha - with Martin Awa Clarke Langdon
Te reo Pākehā, 2018,
The Year That Has Past, (248 A.C.), 2018
The Year Ahead (249 A.C. For Martin), 2018
Te reo Pākehā, Installation View
Reading meaning and everything in-between, 2015 - 2018, Martin Awa Clarke Langdon
Installation view of Te reo Pākehā
Tohutō (macrons) , 2018, Martin Awa Clarke Langdon
Harakeke.jpg
The quick brown fox jumped over the lazy dog, 2018, Martin Awa Clarke Langdon and Elliot Collins
Rawhaki/Massed, heaped up, 2018
Rawhaki/Massed, heaped up, 2018
Rawhaki/Massed, heaped up, 2018
Untitled, (Maori rebel flags...), 2018
Untitled, (Maori rebel flags / P Reveirs / watercolours on paper / 152 x 95mm / 1992-0035-1631/12 / Gift of W.F. Gordon, 1916 / Copyright restrictions apply / Te Papa Tongarewa), 2018
Untitled, (Maori rebel flags / William Francis Gordon / watercolours on paper / 166 x 230mm / 1992-0035-1631/4 / Gift of W.F. Gordon, 1916 / Copyright restrictions apply / Te Papa Tongarewa), 2018
Untitled, (Maori rebel flags / P Reveirs / watercolours on paper / 159 x 118mm / 1992-0035-1631/13 / Gift of W.F. Gordon, 1916 / Copyright restrictions apply / Te Papa Tongarewa), 2018
Untitled (te wānanga o Pākehā), 2018, Martin Awa Clarke Langdon
Desk detail, Martin Awa Clarke Langdon
Detail, Untitled (te wānanga o Pākehā), 2018, Martin Awa Clarke Langdon
dust detail, Untitled (te wānanga o Pākehā ), 2018, Martin Awa Clarke Langdon
Surveyor Title.jpg
Northland Not Flooded (after Barthes), 2016, acrylic on linen
Installation View
Installation View
Over and over, 2017, graphite on linen
A Memory (of how we live today), 2011-17, oil and vinyl on linen
My Arms Outstretched, 1, 2017, brass on sight finding tripod
A Drop of Water (hollows a stone, not by force, but by falling often), 2016
Outside the mind of the world (intact and pure amid the flow of wind which bring only the sound and distilled moisture of the sea), (for Holcroft), 2017
Outside the mind of the world, materials: manuka essential oil, oyster shell from French Bay, Titirangi and brass in book (Shock of the New by Robert Hughes)
The Memory of a Voyage, 2017, lacquer on plaster
The Is Land, (detail), 2017, non-drying clay
Damnatio Memoriae, 2017, bronze embedded in concrete
Bodies of Water 2014-17, 2017, duration 10.12
Installation View
Installation View
Stain.jpg
Installation View
Installation View
Sacred to the Memory of Unspoken Things, 2017, lacquer on plaster
Installation View
Title.jpg
Truck 1.jpg
Truck 2.jpg
Truck 3.jpg
Truck 4.jpg
Truck 5.jpg
Truck 6.jpg
Truck 7.jpg
Truck 8.jpg
Truck 9.jpg
Truck 10.jpg
Truck 11.jpg
Truck 12.jpg
Truck 13.jpg
Truck 14.jpg
Truck 15.jpg
Truck 16.jpg
Truck 17.jpg
Installation View. Image: Kallan Macleod
How To Burn The House Down, 2017, oil on linen. Image: Kallan Macleod
Interior View. Image: Kallan Macleod
Poem in Installation View. Image: Kallan Macleod
Installation view, horizon lines, Image: Kallan Macleod
we gathered close in silence, 2017. Image: Kallan Macleod
Installation View. Image: Kallan Macleod
How To Make History, 2017, oil on linen. Image: Kallan Macleod
Installation View. Image: Kallan Macleod
Horizon Paintings, 2017, Installation View, Acrylic on dropcloth. Image: Kallan Macleod
Interior View, S/Z, 2017. Image: Kallan Macleod
How Far You Are Away From Me, 2017, oil on linen. Image: Kallan Macleod
How The Light Gets In, 2017, oil on linen. Image: Kallan Macleod
How To Find The Words, 2017, oil on linen. Image: Kallan Macleod
The Water That Moves, 2014-17, video on IPhone
How Important It Is To Be Kind, 2017. oil on linen. Image: Kallan Macleod
How Fleeting Is Our Time In The Sun, 2017, oil on linen. Image: Kallan Macleod
How Often You Wished Your Parents Were Here To See This, 2017, oil on linen. Image: Kallan Macleod
The Water That Moves, 2014-17, video on IPhone
Harakeke 4.jpg
Gathered close in silence, 2017
I miss even those who are still here, 2023, found corrugated iron from Waitara beach, acrylic, enamel and pāua shell with water and pump components.
Detail: I miss even those who are still here, 2023, found corrugated iron from Waitara beach, acrylic, enamel and pāua shell with water and pump components.
While Walking, 2022, oil on found paintings
Kia Tau, 2018, oil on found painting with The Weight of Words in the foreground
I Remember Rivers, 2022, acrylic on found books
Collecting and Ordering, 2022, acrylic on wood
While Walking, detail, 2022
I Hope This Finds You, 2020, Photo by Sam Hartnett
I Hope This Finds You, 2020, installation view. Photo by Sam Hartnett
I Hope This Finds You, 2020, detail, Photo by Sam Hartnett
Installation View 2020
A Monument to the Manukau, Things Returned, 2020, Found wood, 750 x 890 x 100mm
Untitled (Portraits) 2020, oil on linen, 400 x 300mm each
Installation View 2020
Close up,
A Monument To A Little Sadness, 2020, acrylic on wood found washed ashore, 285 X 370 x 70mm
Gold Lock, 2018

Lock with gold leaf

Available Contact Elliot

Uplifting, 2019, Pāua shell, copper basin, frankincense, water

Installation shot

Uplifting, 2019, Pāua shell, copper basin, frankincense, water
White Lines, 2019

Te Whiti said

Acrylic on copper loops

White Lines, 2019

Te Whiti said

White Lines, 2019

Tohu Said, Acrylic on nylon

From Assi to Brahma, 2018

Video, duration 58 minutes, Edition of 3

Available Contact Elliot

Brass Temple Bell
Sari Curtain
Through the camera/time travel (Anchor Stones), 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Available Contact Elliot

After J Krishnamurti, (the revolution is bright, fluid and mercurial), 2018

Internal kaleidoscope image with Varanasi beads

After J Krishnamurti, (the revolution is bright, fluid and mercurial), 2018

Internal kaleidoscope image with Varanasi beads

A Memory of the River, 2018

oil on linen, 1000 x 4660mm

Available Contact Elliot

Painted Ghats, 2018

watercolour with water carried from the River Ganges on acid free, hot pressed Hanemühle paper, dimensions variable

Painted Ghats, 2018

watercolour with water carried from the River Ganges on acid free, hot pressed Hanemühle paper, dimensions variable

Water trough, 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Available Contact Elliot

River view of burning ghats, 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Shelter, 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Available Contact Elliot

Washing Day, 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Available Contact Elliot

Steps not Ghats, 2018, Inkjet photograph on Ilford Galerie Prestige

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Available Contact Elliot

Manikanika Kund with Hanuman, 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Available Contact Elliot

Cottage Industry, 2018

Wooden stool, gold leaf and bindi

Home, by Ganga Mahal, 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Hanuman, 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Available Contact Elliot

Flying boat, 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Available Contact Elliot

Shrine, 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Available Contact Elliot

Outlook, 2018

Inkjet photograph on Ilford Galerie Prestige

250 x 166mm unframed

Cottage industry, 2018

Wooden stool, gold leaf and bindi

Te reo Pākeha - with Martin Awa Clarke Langdon

Opens Thursday 28 June 2018

At Toi Poneke

Free Te reo Māori Lesson
1pm–2pm Saturday 14 July
Toi Pōneke HUB

 
In this fun, relaxed, workshop taught by Joan Costello, you will be given the opportunity to learn six accessible, fun and memorable pronunciation tips that will give you confidence to use Te reo Māori.

Te reo Pākehā, 2018,

Installation view

The Year That Has Past, (248 A.C.), 2018

acrylic on Khadi linen, 500 x 700mm

The Year Ahead (249 A.C. For Martin), 2018

Acrylic on canvas, 500 x 700mm

Te reo Pākehā, Installation View

Martin Awa Clarke Langdon and Elliot Collins

Reading meaning and everything in-between, 2015 - 2018, Martin Awa Clarke Langdon

gifted cedar, acrylic paint

Installation view of Te reo Pākehā

The quick brown fox jumped over the lazy dog, 2018, MACL and EC

Tohutō (macrons), 2018, Martin Awa Clarke Langdon

Untitled, (Māori rebel flags)

Tohutō (macrons) , 2018, Martin Awa Clarke Langdon

various belts

The quick brown fox jumped over the lazy dog, 2018, Martin Awa Clarke Langdon and Elliot Collins

Acrylic, metal cards, nails

Rawhaki/Massed, heaped up, 2018

Harakeke seeds, endless supply.

Rawhaki/Massed, heaped up, 2018

Harakeke seeds Endless supply.

Rawhaki/Massed, heaped up, 2018

Harakeke seeds, endless supply.

Untitled, (Maori rebel flags...), 2018

Installation view - now patinated

Untitled, (Maori rebel flags / P Reveirs / watercolours on paper / 152 x 95mm / 1992-0035-1631/12 / Gift of W.F. Gordon, 1916 / Copyright restrictions apply / Te Papa Tongarewa), 2018

Etched copper

Untitled, (Maori rebel flags / William Francis Gordon / watercolours on paper / 166 x 230mm / 1992-0035-1631/4 / Gift of W.F. Gordon, 1916 / Copyright restrictions apply / Te Papa Tongarewa), 2018

Etched copper - now patinated

Untitled, (Maori rebel flags / P Reveirs / watercolours on paper / 159 x 118mm / 1992-0035-1631/13 / Gift of W.F. Gordon, 1916 / Copyright restrictions apply / Te Papa Tongarewa), 2018

Etched copper - now patinated

Untitled (te wānanga o Pākehā), 2018, Martin Awa Clarke Langdon

School desks, ball point pens, restored windows, paint, paper, gifted cedar.

Desk detail, Martin Awa Clarke Langdon

Toi Poneke

Detail, Untitled (te wānanga o Pākehā), 2018, Martin Awa Clarke Langdon

School desks, ball point pens, restored windows , paint, paper , gifted cedar

dust detail, Untitled (te wānanga o Pākehā ), 2018, Martin Awa Clarke Langdon
Northland Not Flooded (after Barthes), 2016, acrylic on linen
Installation View
Installation View
Over and over, 2017, graphite on linen
A Memory (of how we live today), 2011-17, oil and vinyl on linen
My Arms Outstretched, 1, 2017, brass on sight finding tripod
A Drop of Water (hollows a stone, not by force, but by falling often), 2016
Outside the mind of the world (intact and pure amid the flow of wind which bring only the sound and distilled moisture of the sea), (for Holcroft), 2017
Outside the mind of the world, materials: manuka essential oil, oyster shell from French Bay, Titirangi and brass in book (Shock of the New by Robert Hughes)
The Memory of a Voyage, 2017, lacquer on plaster
The Is Land, (detail), 2017, non-drying clay
Damnatio Memoriae, 2017, bronze embedded in concrete
Bodies of Water 2014-17, 2017, duration 10.12
Installation View
Installation View
Installation View
Installation View
Sacred to the Memory of Unspoken Things, 2017, lacquer on plaster
Installation View
Installation View. Image: Kallan Macleod
How To Burn The House Down, 2017, oil on linen. Image: Kallan Macleod
Interior View. Image: Kallan Macleod
Poem in Installation View. Image: Kallan Macleod
Installation view, horizon lines, Image: Kallan Macleod
we gathered close in silence, 2017. Image: Kallan Macleod
Installation View. Image: Kallan Macleod
How To Make History, 2017, oil on linen. Image: Kallan Macleod
Installation View. Image: Kallan Macleod
Horizon Paintings, 2017, Installation View, Acrylic on dropcloth. Image: Kallan Macleod
Interior View, S/Z, 2017. Image: Kallan Macleod
How Far You Are Away From Me, 2017, oil on linen. Image: Kallan Macleod
How The Light Gets In, 2017, oil on linen. Image: Kallan Macleod
How To Find The Words, 2017, oil on linen. Image: Kallan Macleod
The Water That Moves, 2014-17, video on IPhone
How Important It Is To Be Kind, 2017. oil on linen. Image: Kallan Macleod
How Fleeting Is Our Time In The Sun, 2017, oil on linen. Image: Kallan Macleod
How Often You Wished Your Parents Were Here To See This, 2017, oil on linen. Image: Kallan Macleod
The Water That Moves, 2014-17, video on IPhone
Gathered close in silence, 2017

digital photographic prints, stained glass (24 pieces)
970mm H x 1990mm W

Work Destroyed

I miss even those who are still here, 2023, found corrugated iron from Waitara beach, acrylic, enamel and pāua shell with water and pump components.
Detail: I miss even those who are still here, 2023, found corrugated iron from Waitara beach, acrylic, enamel and pāua shell with water and pump components.
show thumbnails